Back to MESA 2005
download FilmFest 05 catalogue

 

MESA 2005 FilmFest

Congratulations to all of the accepted filmmakers and distributors. Below is the list of the 2005 film selections with links to the distributor and/or filmmaker. Selected film list, click here.

Film Schedule is in the downloadable catalogue on page 2.
 

  MESA FilmFest 2005 Hours
 

Friday, November 18
Saturday, November 19
Sunday, November 20
Monday, November 21
Tuesday, November 22

 

6:00 pm-10:00 pm
9:00 am-10:00 pm
8:30: am-6:30 pm; 9:00 pm-10:30 pm
8:30 am-12:45 pm; 2:45 pm-10:00 pm
8:00 am-11:00 am
Viewer’s Choice: 11:00 am - 2:00 pm

 

Selected Film List

ALL CAPS = Feature Film
Green = Cineforum
Red = premiere

ALMOUDOU (Senegal) 2002 85 min. Director: Amadou Thiro; Distributor: ArtMattan. In French, Wolof with English subtitles.
Sometimes distasteful practices are most effectively criticized with a good sense of humor. Meet Modou, a young, courageous and determined talibe–a pupil in a Koranic school, and follow his adventures and misadventures in Dakar. (An ASA/MESA selection)

Arab American Road Movie (USA) 2005 14 min. Director/Producer: Joan Mandell; Executive Producer: Arab American National Museum; Distributor: Olive Branch Productions. In English.
An entertaining yet profound journey through the Arab American landscape, where folks from 8 to 80, from a dozen countries of origin and residing in 15 areas of the US, share stories of personal, family and community identities. The video is being shown in conjunction with a contemporary life exhibit at the Arab American National Museum in Dearborn, Michigan.

Armenian Genocide: 90 Years Later (Armenia/Turkey/USA) 2005 55 min. Produced and distributed by the University of Minnesota Center for Holocaust & Genocide Studies in conjunction with tpt, Minnesota Public Television. In English.
This documentary features historians, Eric Wietz and Taner Akcam, the Turkish historian who was jailed in the 70s for writing about human rights. The events of 1915 are examined in the light of German records, perhaps the best source of information on the massacres.

Baghdad Blogger (Iraq) 2004 90 min. Director/Producer: Salam Pax for Guardian Films; Distributor: Filmakers Library. In Arabic and English with English subtitles. (Consisting of 7 segments: 1-Life in Baghdad (13); 2-Life in Southern Iraq (18); 3-On Saddam Hussein (7); 4-Has Life Improved Since the War? (8); 5-The Baghdad Blogger Visits Kerbala During Ashura (23); 6-On the Mehdi Army (15); 7-The Baghdad Blogger & the Arts (15).
“I live in Baghdad. I am a blogger. A blog is an online diary.” So begins this succinct report from Salam Pax, an Iraqi journalist attempting to keep the world informed about his beleaguered country. Pax regularly sends fifteen-minute video reports to the BBC. Filmed in Najaf, Baghdad, Karbala, and the south of Iraq, they are cleverly worded, cantankerous and nonpartisan overviews of reality outside the Green Zone.

BEDWIN HACKER (France/Morocco/Tunisia) 2003 98 min. Writer/Director/Producer: Nadia El Fani; Associate Producers: Ken Legargeant, Romaine Legargeant, and Abdelaziz Ben Mlouka; Distributor: Cinema Libre Studio. Courtesy of the filmmaker. In Arabic and French with English subtitles.
From an apartment jammed full of computer equipment, a Tunisian female computer hacker, Kalt, spends her days hijacking the frequencies of foreign television channels and using them to broadcast messages in Arabic, signed by a moving cartoon character, a camel named Bedwin Hacker. When Julia, alias Agent Marianne, for the Paris counter-hacking department recognizes the signature as that of Kalt, her old rival, she uses her friend, the reporter Chams, to collect more information. A cat and mouse game ensues.

Beirut…Coming Back to You is Not Painful (Lebanon) 2005 12 min. Director/Producer: Laila Hotait Salas. In Arabic and English with English subtitles and narration. Courtesy of the filmmaker.
A brief video essay of interviews with several emigré Lebanese filmmakers. Included are directors Ziad Doueiri, West Beyrouth, 1998, Lila dit ça, 2004; Ghassan Salhab, Beyrouth Fantôme, 1998, Terra Incognita, 2002; Nigol Bezjian, Chickpeas, 1995; Samir Habchi, Le tourbillon, 1992; Randa Chahal-Sabbag, Civilized, 1999. A portrait of a particular Lebanon emerges, one colored by the actualities and effects of the civil war.

Between Two Banks (United Arab Emirates) 1999 20 min. Director: Numoom Alghanem; Writer: Khalid Bader; Producer: Cultural Foundation of the United Arab Emirates. Courtesy of David Hirsch. In Arabic with English subtitles.
This documentary chronicles the life and work of Khamees Marzouq, the last remaining boatman of Duabi Creek. Through stunning scenes and echoes of sailor’s songs, we witness the challenges of adaptation to modern realities and technology.

Bride Kidnapping in Kyrgyzstan (Kyrgyzstan) 2004 50 min. Director: Petr Lom; Assistant Director: Fatima Sartbaeva; Executive Producers: Aktan Arym Kubat and Jan Rofekamp; Distributor: First Run Icarus Films. In Russian, Kyrgyz with English subtitles.
Bride Kidnapping documents four such abductions, from the violent seizures on city streets and the tearful protests of the women, who are physically restrained and persuaded to accept their fate by the women of the groom’s family, to the often tense negotiations between the respective families, and either eventual acquiescence or continued refusal of the young women. A brief glimpse at a shocking, social custom, but one that at the same time raises provocative questions about the nature of love and marriage.

The Color of Love (Rangeh Eshgh) (Iran/USA) 2004 68 min. Director/Writer/Producer: Maryam Keshavarz; Distributor: Marakesh Films. In Persian with English subtitles.
One week each year Iranians stay out all night. Women abandon legal curfews. Men weep. Communities gather to mourn their saint’s death, ask that wishes be granted, give thanks for prayers answered. While this week showcases Iran’s most restrictive religious elements, it offers openings for this culture’s most intimate connections. We follow three couples negotiating love and learn that appearances can be deceiving.

Comedy Middle Eastern Style (USA) 2005 56 min. Director/Producer: Soodabeh Oskoui Babcock and James Babcock; Distributor: Cinema Guild. In English.
In a mix of humor and candid interviews, Middle Eastern stand-up comics living in New York share their views on political issues and the prejudice they’ve had to endure since September 11, 2001. The sample includes Arab, Israeli, Pakistani, and Iranian comics. They are witty, charming, caustic, even offensive and yet thoroughly engaging.

Death by Stoning: Justice, Punishment, and Human Rights (USA) 2003 23 min. ABC News Nightline Program; Produced by ABC News; Distributor: Films for the Humanities and Sciences. In English. (An ASA/MESA selection)
Set in Nigeria, this ABC News program uses the case of Amina Lawal as a platform to discuss the concepts of justice and punishment as they relate to human rights. Akbar Ahmed, chair of Islamic Studies and professor of international relations at American University, and Ayesha Imam, founding director of a human rights agency that assisted in Ms. Lawal’s defense, are featured.

Gallipoli (Turkey) 2005 120 min. Director/Writer/Producer: Tolga Ornek; Producers: Hamdi Doker, Burak Ornak; Distributor: Ekip Films. Courtesy of the filmmaker. In English.
This is the recounting of the tragic 1915 Gallipoli Campaign as told through the diaries and letters of 2 British, 3 New Zealand, 3 Australian and 2 Turkish soldiers selected from 350 people. Beautifully put together and gracefully narrated by Jeremy Irons, the film personalizes and bears witness to human beings behaving at their worst.

Honorable Murder (Jordan) 2004 55 min. Directors/ Writers: Lena Pettersson and Peter Löfgren; Produced by Sverige Television; Distributor: Films for the Humanities and Sciences. In Arabic and Swedish with English subtitles.
This Swedish production takes a hard look at the various interpretations of honor and presents the grim realities that exists in both urban and rural contexts. This film is well researched and puts forth the traditions, ideas and interpretations that keep the practice of honor killings intact.

Inside the Closed Kingdom: Saudi Arabia (Saudi Arabia) 2005 22 min. An Australian Broadcasting Corporation production for Journeyman Pictures; US Distributor: Filmakers Library. In Arabic with English subtitles.
An increasingly destabilized Saudi Arabia is more willing to listen to Islamic fundamentalists and to bankroll the Al-Qaeda terrorist network in a holy war against the West. This troubling film includes an interview with Saudi Arabia’s Crown Prince Abdullah ibn Abdul-Aziz al-Saud who has become the country’s ruler.

IN THE MORNING (Turkey) 2004 10 min. Director: Danielle Lurie; Distributor: Women Make Movies. In Turkish with English subtitles.
A short drama based on a true story, a young woman is brutally attacked, and the responsibility of restoring her family’s lost honor is left in the hands of her 13-year old younger brother. Poetic, haunting and beautifully crafted, the film adds another dimension to the disturbing practice of honor killing.

Iran: The Cyber Dissidents
(Iran) 2005 28 min. Produced by the Australian Broadcast Corporation; Distributor: Filmakers Library. In English with English subtitles as needed. Iran, an Islamic republic, has the largest number of internet users in the Middle East. A large dissident population is finding new ways to communicate, risking arrest, prison, torture and even death as they try to organize resistance to the repressive religious government. To be a reformer today is to live dangerously.

Islam Behind Bars (USA) 2004 47 min. Writer/Director: John Curtin and Paul Carvalho; Producer: John Curtin for Kaos Productions in association with the Canadian Broadcasting Corporation. Courtesy of the filmmaker. In English. (An ASA/MESA selection)
No religion is growing faster in Western prisons than Islam. In the US alone, there are more than 200,000 Muslim inmates. They are mainly black converts searching for an alternative to Christianity, which many reject as the slave-master’s faith. The prisoners follow a path first made famous by Malcolm X, who through his own transformation, discovered a strict religion which could bring discipline and dignity to men whose lives had been devastated by violence and drugs.

Jews of Iran (Iran) 2005 13 min. Producer: Greg Wilesmith for Australian Broadcasting Corporation; Distributor: Filmakers Library. In Farsi, Hebrew with English narration and subtitles.
Largely forgotten by the rest of the world, Iran is home to the largest Jewish population in the Middle East outside of Israel. After the revolution in 1979, a majority of the Jews fled, many to the US, but 25,000 still remain. How are they faring? A short essay on a unique population.

Just Ralph (The Call for Change Series) (USA) 2005 11 min. Director: Clifton Watson; Series Producer: JT Takagi; Distributor: Third World Newsreel. In English. A “day in the life” of Ralph, a Palestinian-American grocery store owner, whose Brooklyn store is the neighborhood drop-in center. All topics discussed; “real” democracy in action.

Lakposhtha hâm parvaz mikonand (Turtles Can Fly) (Iran/Iraq) 2004 93 min. Writer/Director/Producer: Bahman Ghobadi; Distributor: New Yorker Films. In Kurdish with English subtitles.
Orphaned children struggle to survive in a refugee camp on the Iraq-Turkey border in the run up to war in this stark drama. The heartwrenching story is superbly acted by these young actors, without sentimentality, yet they manage to convey incredible resilience and resolve in the face of unbelievable horror. A really masterful film.

L’ESQUIVE (Games of Love and Chance) (France) 2005 119 min. Director: Abdellatif Kechiche; Producer: Jacques Ouaniche (Noé Productions Int.); Distributor: New Yorker Films. In French with English subtitles.
The film is a glimpse into the separate reality of North African teenagers living in the “banlieues” of Paris. Kechiche weaves the plot of 18th century French writer, Pierre Carlet de Chamblain de Marivaux together with the “plot” and “acting” of a group of friends united by a cultural heritage yet separated by their immigrant status. Beautifully filmed and executed, the young actors and actresses weave their own “plot” as they bump up against Muslim/North African morés.

Military Promises (The Call for Change Series) (USA) 2005 11 min. Directors: Al Santana and Alonzo Speight; Series Producer: JT Takagi; Distributor: Third World Newsreel. In English. (An ASA/MESA selection)
Sex, money and travel-the hooks used by military recruiters to lure young men. A look at the military recruitment process through a mixture of performance and the experiences of two young men of color.

MOOLAADÉ (Sanctuary) (Senegal) 2004 124 min. Director/Writer: Ousmane Sembene; Executive Producer: Ciné Sud Promotion; Distributor: New Yorker Films. In Jula and French with English subtitles. (An ASA/MESA selection)
African cinema’s founding father, 81-year-old Ousmane Sembene, continues to be its most fiery, provocative spirit. Moolaadé is a rousing polemic directed against the still-common African practice of female circumcision. Four young girls facing ritual “purification” flee to the household of Collé, a strong-willed woman who invokes the time honored custom of moolaadé (sanctuary) to protect the fugitives. The ensuing standoff pits Collé against village traditionalists (both male and female). Vibrant colors as intense as the emotional tone, layers of metaphor and touches of endearing humor make this film an extraordinary visual journey.

My Land Zion (Israel) 2004 57 min. Director/Writer: Yulie Cohen Gerstel; Producers: Yulie Cohen Gerstel, Esther van Messel, David Osterbog; Distributor: Women Make Movies. In English and Hebrew with English subtitles.
From Yulie Cohen Gerstel, a sixth generation Israeli and director of the previously screened, My Terrorist,  comes a personal essay in which Gerstel questions her own decision to return and raise her family in Israel, while challenging the myth of Zionism. She wonders about the future that awaits her daughters in a country embroiled in continuous war, she stretches a connecting thread from the murder of Jews in the Holocaust to the War of Independence to the rise in settlements and the condition of Palestinian refugees in Israel today.

On the Objection Front (Israel/Palestine) 2005 63 min. Director: Shiri Tsur; Distributor: First Run Icarus Films. In Hebrew and English with subtitles as needed.
On the Objection Front features interviews with the six founding members of the Courage to Refuse organization who movingly recount their personal histories, their encounters with brutality, the moral dilemmas that led them to their difficult decision, and how they see their refusal not so much as a political act, but as a stand for human rights and basic moral values. A powerful statement of personal courage.

PRIVATE (Israel/Palestine) 2004 90 min. Director: Saverio Costanzo; Producer: Mario Gianani; Executive Producer: Patrizia Costantini; a coproduction of OffSide, Instituto Luce and Cydonia in association with Rai Cinema; Distributor: Arab Film Distribution. In Arabic and Hebrew with English subtitles.
Inspired by real events, documentary filmmaker Saverio Costanzo’s feature debut is a minimalist psychological drama about a Palestinian family of seven suddenly confronted with a volatile situation in their home. Shot in cinema verité documentary style, complete with grainy images and slightly “trembling” camera work; this film has an unsettling, claustrophobic quality.

Prostitution Behind the Veil (Iran) 2005 52 min. Director: Nahid Persson; Producer: Jakob Hogel; with COMSMO Doc Aps, a co-production with Swedish Television; Distributor: Filmakers Library. In Persian and Swedish with English subtitles.
Prostitution Behind the Veil explores the lives to two Iranian prostitutes in an uncompromising but sympathetic manner. This film, directed by a returning Iranian émigré, highlights how the perversion of  Shia Muslim law in terms of “sighe” marriages (temporary marriages) can be used to  justify “legal prostitution.” A grim and gritty look at a troubling reality.

Queen of the Mountain (Turkey) 2005 56 min. Director/Producer: Martha Goell Lubell; Distributor: Women Make Movies. In Hebrew, Turkish and English with narration.
This is the story of Theresa Goell, whose life work was the archaeological excavation of Nemrud Dagh. Written  by Goell’s niece, the film has breathtaking National Geographic archival footage of the excavations, hundreds of family photographs and Goell’s oral history and letters, read by acclaimed actress Tovah Feldshuh.

RACHIDA (Algeria ) 2002 100 min. Director: Yamina Bachir-Chouikh; Distributor: First Run Icarus Films, part of “The Global Film Initiative.” In Arabic with English subtitles.
Director Yamina Bachir-Chouikh’s first feature film evokes memories of the worst atrocities of the terror in Algeria. It is the story of a young teacher, Rachida, who stands up to such an event. Rachida is a portrait in resilience and courage, a testimony to the courage and endurance of the community, and especially of the women.

Return of Allah: Shi’ite Muslims in Iraq (Iraq) 2004 52 min. Director: Frank Berruyer and Jean-Pascal Bublex; Producer: Maximal News with France 5; Distributor: Films for the Humanities and Sciences. In Arabic with English subtitles and narration.
This film provides an historical overview of Shiites’ religious suppression in Iraq-spanning 13 centuries-then enters the heart of Iraq’s holy cities to see how Shiites initially react to recent spiritual liberties.

Return to the Land of Wonders (Iraq) 2004 88 min. Director/Writer: Maysoon Pachachi; Producer: Oxymoron Films with ZDF in cooperation with ARTE; Distributor: Arab Film Distribution. In Arabic with English narration and subtitles.
Soon after the 2003 Iraq war, filmmaker Maysoon Pachachi returns to Baghdad after 35 years, accompanying her 80-year-old father, Adnan, who has returned to head a committee drafting a temporary constitution and bill of rights. We follow this tortuous process, with its arguments over wording changes demanded by Washington or compromises to satisfy sectarian interests. Moving between the political sphere and everyday life on the streets, this film offers a unique glimpse into the resilience of Iraqis as they struggle to sustain their lives and to fight off a sense of despair and defeat.

Rising Up: The Alams (The Call for Change Series) (USA) 2005 11 min. Director: Konrad Aderer; Series Producer: JT Takagi; Distributor: Third World Newsreel. In English.
A real life, real time consequence of the Patriot Act on a New York City Bangladeshi family caught up in an immigration nightmare, mirroring the experience of the thousands that have been targeted in the wake of 9/11.
Saj: Muslim in America
(The Call for Change Series) (USA) 2005 4 min. Director: Sam Pollard; Series Producer: JT Takagi; Distributor: Third World Newsreel. In English.
A young NYC African American woman talks about being a Muslim, from philosophy, veiling and how to define oneself in society. Sure to inspire lively discussion.

Secularism: The Turkish Experience (Turkey) 2004 Total all chapters: 110 min. Director: Omer Baristiran; A Masters of Liberal Arts Capstone Project for the University of Pennsylvania. Courtesy of the filmmaker. FilmFest will screen Chapters 1, 2, and 3.|
1. Definitions of Secularism(3); 2. Secularism in Turkish History (17); 3. Secular Politics – A New Formula? (20); 4. A Divided Turkish Society? (6); 5. Separating the State From Religion? (11); 6. Teaching Religion? (19); 7. Success of the Turkish Formula? (13); 8. Lessons from the Turkish Experience? (6)
Located on a pathway between cultures in Eurasia, Turkey claims to be the only secular country in the Eurasia region with a 99% Muslim majority. The 80-year-old social experiment of the Turkish Republic is facing many challenges: how to build an identity as a modern democracy while balancing the historic culture and religion.

Sentenced to Marriage (Israel) 2004 65 min. Director: Anat Zuria; Producer: Amit Breuer; Distributor: Women Make Movies. In Hebrew with English subtitles.
This documentary exposes the Kafkaesque process of divorce for women in Israel, where there is no separation of church and state, and divorce is dealt with according to archaic and fundamentalist orthodox Jewish law. Filmmaker Anat Zuria, gained access to the rabbinical courts to follow two women caught in this demoralizing legal labyrinth with the help of female rabbinical advocates. Due to strict privacy laws, Zuria creatively captures proceedings through audio recordings and partially obscured video.

The Shape of the Future (Israel, West Bank, Gaza, Lebanon, Jordan) 2005 Parts I & II 50 min. each. Director: Lynn Allen Scheid; Producer: John Marks; Distributor: Common Ground Productions. In Arabic, Hebrew and English with English subtitles.
The Shape of the Future is a documentary series that portrays on a very human level what an eventual Palestinian-Israeli peace settlement could look like. The emphasis is on the future, not on the past-which makes this a unique documentary effort. All of the contentious issues are addressed, from settlements, to Jerusalem and to the right of return.

SHAH-RE ZIBA (Beautiful City) (Iran) 2004 105 min. Director: Asghar Farhadi; Producer: Iraj Taghipour for Neshane, Ltd.; Distributor: Sheherazad Media International (SMI). In Persian with English subtitles. Screening sponsored by the ILEX Foundation.
Akbar has just turned eighteen. He has been held in a rehabilitation centre for committing murder at the age of sixteen when he was condemned to death. Legally speaking, he had to reach the age of eighteen before the sentence could be carried out. Now, Akbar is transferred to prison to await the day of his execution. A‘la, a friend of Akbar, who himself has undergone imprisonment for burglary, tries desperately to gain the consent of Akbar’s plaintiff to stop the execution.

Shi’ism: Waiting for the Hidden Imam (Iran) 2005 53 min. Directors: Saïd Bakhtaoui and Mohammad Ballout; Distributor: First Run Icarus Films. In Persian with English subtitles.
This film illuminates the historical roots of this branch of Islam, from its origins in a 7th-century dispute over the successor to the Prophet Mohammad and a political and theological war between Sunni and Shi’ite followers, through the sect’s mythology of martyrdom established by the massacre in 662 at Kerbala. It describes centuries of persecution and discrimination of Shi’ism as a minority faith,  and outlines its basic tenets, including belief in the twelfth, or ‘hidden’ Imam, who will appear on the Last Day as the Mahdi.

Shirin Ebadi-A Simple Lawyer (Iran) 2004 47 min.Director: Bani Khoshnoudi Distributor: First Run Icarus Films. In Persian with English subtitles.
This documentary profiles Iranian attorney Shirin Ebadi, who was awarded the Nobel Peace Prize in 2003 for her efforts
on behalf of democracy and human rights, in particular the struggle for the rights of women and children.

The Square ‘Al-Muraba’ (Jordan/Switzerland) 2005 27 min. Director: Sawsan Darwaza; Executive Producer: Pioneers Production Company; Distributor: Pioneers Production Company. In Arabic and English with English subtitles.
“Today we entered the 21st day of the war on Iraq. In Amman everything seems normal. The sun is shining, the trees are in their place, the house stones are still white, I wonder if the trees, the stones, the sun know what is happening….” This film is a video essay contemplating the war.

A Stranger in Her Own City (Yemen) 2005 29 min. Director/Producer: Khadija Al-Salami. Courtesy of the filmmaker. In Arabic with English subtitles.
Najmia, “little star,” is 13 years old and has a radiant smile and a candid gaze. In the old town of Sana’a in Yemen, everybody knows her. For Najmia, openly showing her curls in the sunlight, is a living challenge to centuries of ancestral and Islamic tradition. Insolent and carefree, she doesn’t wear a veil. In this strict Islamic community, her behavior will determine her future.

TAHARA (USA) 2004 18 min. Writer/Producer/Director: Sara Rashad. Courtesy of the filmmaker. In Arabic and English with English subtitles. (An ASA/MESA selection)
Three generations of women confront whether or not to succumb to tradition regarding female circumcision. This is a thoughtful, dramatic short feature.

Talking Peace (USA) 2005 28 min. Director/Writer/Producer: Mark Freeman; Executive Producer: Pat Finn; Distributor: Cinema Guild. In English.
The cycle of violence in the Middle East may seem to have no end, but in San Diego Jews and Palestinians have united despite the odds. “Talking Peace” takes place in the living room of Jim Rauch, a Jew, and his wife Doris Bittar, an Arab; the stage has been set to create an alternative to living with hatred. In their home, Jews and Palestinians share their stories and their pain governed by only one rule: to truly listen to each other.

Through the Small Gate of Loneliness (Iran) 2005 12 min. Director/Producer/Writer: Simin Keramati. Courtesy of the filmmaker.
This is a video performance art piece, deceptively simple, yet filled with great depth and humanity.

The Turkish Perspective (Turkey) 2005 45 min. Directors: Sabine Küper and Thomas Büsch for Journeyman Pictures, Inc.; Distributor: Filmakers Library. In German, Turkish with English subtitles and narration.
This film examines some of the core objections of the European countries to Turkey entering the EU. Turkey has already implemented a number of reforms to meet EU requirements: government-run shelters for women escaping abuse; rescinding laws excusing honor killings, modernizing prisons; granting Kurds  more rights. But even before these changes, Istanbul was a bustling modern metropolis with a sophisticated, liberal middle class. The discussion continues.